![]() ![]() ![]() This new standard is incompatible with most of today’s over-the-air DVR solutions, which rely on the current ATSC 1.0 standard instead. If you’re on the fence about today’s solutions, here are some future developments to consider:ĪTSC 3.0: Broadcasters are starting to test a new broadcast TV standard called ATSC 3.0 (also known as “Next Gen TV”), which can support 4K HDR video, better surround sound, interactive features, and easier access on phones and tablets. circleci One more time to update the resource class for circle ci 2 years ago. NineWorlds serenity-android develop 49 branches 48 tags Code 1,464 commits. The over-the-air DVR space should get more competitive over time. GitHub - NineWorlds/serenity-android: An Android client for the Plex and Emby Media Servers optimized for Television displays. It supports some major streaming services such as Netflix, Amazon Prime, and Hulu, but you’ll still need a separate streaming box to access others, such as Sling TV and Philo. ![]() Emby will automatically notify you of server activity based on events and actions that are. In these cases, you can access all your favorite streaming services alongside over-the-air video without having to switch inputs. If you still have questions, TiVo Customer Support can help. Streaming service integration: Many of the DVR products we’ve reviewed are whole-home solutions that you access via apps on your existing streaming devices. Whole-home support: Unless you only plan to watch on a single television, you’ll want a whole-home system, which means buying a networked tuner (Tablo or HDHomeRun) or setting up extenders (such as TiVo’s $150 Mini units). Our full reviews will provide more details. Not all DVRs are equal in the recording controls they provide. Granular recording options: Perhaps you’d like to keep only a certain number of recent episodes, or replace your recordings with higher-resolution versions when available. Tablo can operate anywhere in the house, HDHomeRun must be wired to your router, and TiVo and Channel Master are tied to your television. TiVo is the best in this regard, providing an auto-skip button for some programs, and a 30-second skip button for everything else.Īntenna placement options: Over-the-air DVR is useless if your antenna can’t receive channels, so unless you’ve got coaxial cable wired to the roof, you’ll need to set up your DVR in a place with solid indoor antenna reception. The above were correctable by selecting the 'attempt playback correction' option in the emby client repeatedly. The NVIDIA Shield allows you to watch media and stream to your TV already, and you. NVIDIA SHIELD TV boasts it is the best streamer for your Google-connected lifestyle, and it is. If you want to investigate further, here are some factors to consider:Īd-skipping features: Advertising is still a staple of broadcast TV, but some DVRs provide tools to help you skip them. If you own NVIDIA Shield and love Shield TV, you will be glad to know you can also make it an Emby client device for Emby Server. Evaluating over-the-air DVR solutions is tough, because there are so many factors that can make or break the experience. ![]()
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![]() ![]() Our customers demand consistency, communication, and safe operations. While that is certainly an option for multi-billion-dollar solid waste companies, we know our focus needs to stay on proven practices, safe operations, customer care, and financial returns. And we love it! We do not try to be the R&D department of sustainable ideas and test markets. How does Meridian Waste distinguish itself from the competition? Along with Rubicon, our goal is to provide environmentally sustainable solutions to our customers to address the waste that we as a country generate on a daily basis in a safe and compliant manner and to help identify economically viable solutions to preserving natural resources in our collection and processing operations and in how we manage our facilities and equipment. ![]() We never shy away from the job our team members are entrusted to fulfill on behalf of our customers. We provide a core health and human service and are proud to be called garbage men and women. Meridian Waste: Here at Meridian Waste, we understand that solid waste and recycling collections, processing, and disposal is a vital infrastructure asset in any and all communities and must be managed with the utmost respect and care. How does Rubicon’s mission to end waste match-up to Meridian Waste’s own company mission? O’Brien, sat down with Rubicon to talk about their company and mission for the Haul of Fame. Sides, and Chief Marketing Officer, Mary M. Meridian Waste’s Revenue Manager, George R. With more than 400 employees, Meridian Waste has been working with Rubicon since 2014. The company collects more than 522,000 tons of solid waste and 18,000 tons of recyclables annually. The company has more than 250 waste and recycling vehicles in its fleet, servicing commercial, industrial, government and residential customers. Meridian Waste, headquartered in Charlotte, North Carolina, is a waste and recycling hauler company that operates nine hauling companies, five transfer stations, and three recycling facilities across North Carolina, Missouri, Virginia, Georgia, Tennessee, and Florida. Meridian Waste may also be known as or be related to Meridian Waste, Meridian Waste Solutions Inc and Meridian Waste Solutions, Inc.Welcome to the Haul of Fame, a weekly series from Rubicon in which we sit down with a hauler partner to talk about their company, their community, and how they’re collaborating with Rubicon in our mission to end waste. The data presented on this page does not represent the view of Meridian Waste and its employees or that of Zippia. None of the information on this page has been provided or approved by Meridian Waste. While we have made attempts to ensure that the information displayed are correct, Zippia is not responsible for any errors or omissions or for the results obtained from the use of this information. Sources of data may include, but are not limited to, the BLS, company filings, estimates based on those filings, H1B filings, and other public and private datasets. The data on this page is also based on data sources collected from public and open data sources on the Internet and other locations, as well as proprietary data we licensed from other companies. The employee data is based on information from people who have self-reported their past or current employments at Meridian Waste. Zippia gives an in-depth look into the details of Meridian Waste, including salaries, political affiliations, employee data, and more, in order to inform job seekers about Meridian Waste. ![]() ![]() ![]() Let us jitsi-meet components reach each other with local ip. usr/share/doc/jitsi-meet-turnserver-nightly Make sure to use different and safe passwords! Configuration paths Package Passwords should be obtained in a safe way, e.g.
![]() ![]() The app lets you record audio files or import files you already have so that you can then add several different effects as you prefer. ![]() Just from the name, this app is one that says it is the best to change the voice of their users, and you can’t even say this claim is that much of a stretch. It’s completely free, no watermark, no limitations. You can download it by following this link. ![]() Not just change voice easily, VideoProc Vlogger allows you to apply filters/transitions/motion-effects, custmoize speed, add subtitles and text, correct colors, sync video to the beat, etc and much. Apply the sound effect to have a preview and add creativity to your production. Preliminary & General or Indirect costs that are related to the project monitored on a time basis, if required, and managed by resource or group of resources.Pick from a variety of sound effects like Echo, MV Reverb, Pitch, High Pass, Low Pass, Auto Pan, etc. Sub Contractors are managed specifically by BOQ, Advances, Retentions and Contra Charges while linked to the Candy BOQ integrated to BuildSmart Accounts for the complete control down to activity or task level. Labour and Manpower costs are tracked again to Contract, Cost Code and Activity, through the Payroll where each and every employee is costed to a Cost Centre at Activity or Task based costing level. Plant and Equipment is managed by the Plant and Equipment module costing the Plant to the Contract, Cost Code and Activity or Task by item. Materials are managed through the procurement system with the unique link to the Candy resource. Preliminaries & General or Indirect costs.īuildSmart tracks each one of these cost elements in its own unique way but at the same time at the same level and in one system.The type of cost types that require tracking, management and reporting on normally fall under: To this end BuildSmart has created a separate ledger - the 'Cost Ledger' to clearly identify and track all the Revenue and Cost elements associated with each project. In Construction (assuming the organisation's main activity is restricted to normal construction) the Sales figures relate mainly to Project Revenue, and the Cost of Sales figures would relate to the cost of all resources utilised in the course of construction. Therefore the structure of the Income Statement and the method of reporting needs to take into account the nature of construction projects and standard accounting reports do not suffice. Construction projects extend over financial years and these figures cannot be cleared without noting the position (profit/loss) of each of the projects still under construction. At the end of each and every financial year, the Net Profit figure is transferred to the Balance Sheet and the Income Statement figures are zeroed, ready for the subsequent year's figures. Traditional accounting systems consist of a statement of Income and Expenditure, made up of and the Balance Sheet is used to balance out all Income Statement accounts (trading accounts). A number of issues ensure that adjustments need to be made to standard accounting practice, in order to report on the financial position of the organisation accurately. The preparation and management of Construction Accounting is unique. ![]() ![]() ![]() There’s an illustration of the white deer’s head at the center that follows every movement of your mouse. Inner pages also reflect the agency’s creative approach to design, in particular, their about page. The names of projects are written in large, all-caps, white types, but on hover, your cursor turns into a big, black spot that sucks the white out of letters and leaves them outlined in the dark. They start off with a bang – the first thing you see is a majestic radial menu featuring their portfolio. Besides an interesting name and a cool logo, they also have a website that serves as an example of the striking things you can achieve with a black canvas and a lot of imagination. Maxilla is a visual studio and a digital agency coming from Japan. Before you scroll away to the next musician, you can have some more fun and play virtual guitar strings by moving your mouse over them. That action will take you to the page where, besides hearing the song, you can read more about the selected artist. To listen to the song in its entirety, all you need to do is press and hold the spacebar. When you find a musician you like, you can hear a preview of whichever of their songs is included in Throwbacks Music’s music catalog. The pictures of artists are black and white until you stop “spinning”, which is when they gain color. The library of featured artists is displayed in the form of a carousel, and as you move from one artist to the next, you feel as if spinning a record. We can listen to the great old songs that are popular to this day and learn more about musicians who created them. The black background is omnipresent on the entire website. The majestic Throwbacks Music takes us back in time and gives us an entertaining, interactive 3D music experience. The creativity of this 360° project doesn’t cease to amaze from one pixel to the next, and you can experience it even in VR. If you look down, you’ll see a map of Moscow with a clearly marked conference hall. Interactive links are placed at eye level and they carry info about the event, its program, speakers, etc. Before you get dizzy, it all clears out after a few seconds, and the sky goes back to being starry again. If you keep looking up, the logo fades away, the stars spin harder and lose their form, and you feel like you’re sucked into some kind of digital vortex. Above you are the starry skies with the DMC 2019 logo shining bright in the middle of it. All you see is black and white, with traces of red here and there. You feel like you’re suspended in the air, exploring the continuously rotating dark universe of the conference by dragging the mouse cursor in every which direction while eerie sounds play in the background. The website they’ve made for the 2019 edition is nothing short of majestic. The Digital Marketing Conference is organized every year by the famous Russian creative agency Possible. If you go right and choose to meet locals, you’ll have the opportunity to hear several interesting stories that highlight the importance of listening to sounds, both external and the ones within ourselves. ![]() You can select a maximum of 5 sounds that you should place in designated slots to then see your route through Yekaterinburg. If you select the former, you’ll be able to make your own map based on the real sounds of the city. There you can choose between exploring places or getting to know locals. He tells you his story using his voice as well as through a series of spectacular illustrations that lead you to a crossroads. The background is initially white, but as he begins to narrate his experience and informs you that he’s visually impaired, the light switches off and you’re enveloped in darkness. Once that’s settled, you’re introduced to Volodya, a not-your-typical tour guide. You can then choose the way in which you wish to experience the site – with your ears, eyes, and/or by using your voice to interact with it. While the website loads, you first see a blinking eye placed on a black background inviting you to be patient while you await for your adventure in the dark to begin. Trip in the Dark is an astonishing project created by the Voskhod digital agency that I could wax poetic about ad infinitum. ![]() ![]() ![]() History īy mid-1931 all motion picture studios were recording on optical soundtracks, but sets of soundtrack discs, mastered by dubbing from the optical tracks and scaled down to 12 inches to cut costs, were made as late as 1936 for distribution to theaters still equipped with disc-only sound projectors. Each side of a 12-inch LP could play for about 22 minutes. The new product was a 12- or 10-inch (30 or 25 cm) fine-grooved disc made of PVC ("vinyl") and played with a smaller-tipped "microgroove" stylus at a speed of 33 + 1⁄ 3 rpm. Format advantages Īt the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive (and therefore noisy) shellac compound, employed a much larger groove, and played at approximately 78 revolutions per minute (rpm), limiting the playing time of a 12-inch diameter record to less than five minutes per side. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution.īeginning in the late 2000s, the LP has experienced a resurgence in popularity. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of 33 + 1⁄ 3 rpm a 12- or 10-inch (30- or 25-cm) diameter use of the "microgroove" groove specification and a vinyl (a copolymer of vinyl chloride acetate) composition disk. ![]() Originally 23 minutes per side, later increased by several minutes, much longer possible with very low signal level ![]() |